Channelling the urban restlessness and dynamic spirit of São Paulo, filmmaker Caetano's bracing drama focuses on those who inhabit the outskirts of an constantly evolving metropolis. Recently released from juvenile prison, 18-year-old Wellington (the actor João Pedro Mariano) stands at a pivotal juncture; deserted by his parents, the wide-eyed young man discovers refuge in the arms of others.
On an late-night excursion with his boisterous group of queer and non-binary friends, Wellington encounters Ronaldo (Ricardo Teodoro), a hunky, charismatic hustler more than twice his age. Bathed in the pulsating light of a adult movie theater, their first meeting is physical and passionate, with an edge of danger. Ronaldo promptly ushers Wellington to the shadowy world of prostitution and selling drugs.
Caetano depicts Wellington’s new life of crime with compassionate understanding rather than as a sensationalist cautionary tale. Now going by the name of Baby, he approaches his transactional encounters with cocky bravado and endearing innocence. To his clients, Wellington provides not just his youth and his body, but also moments of care.
In the feverish excitement of São Paulo, overflowing with bustling alleyways and colourful shopfronts, there’s a persistent isolation, as unmoored souls cling on to one another for temporary happiness.
"The streets might be fraught with peril, yet they are the place where they can forge familial bonds, too."
Ronaldo is both a lover and a sheltering paternal presence to Wellington, but their bond is sabotaged by jealousy and economic precarity. Intimidation from nefarious characters in the criminal underworld seem minor next to the fear of state surveillance and incarceration, represented by the constant sight of police officers on patrol.
Baby is most powerful as a keen observation of the disenfranchised individuals who have been failed by the system. The film functions as a moving examination into survival, chosen family, and the quest for identity within a harsh urban landscape.
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