Two acclaimed New Zealand writers have had their books disqualified from contention for the nation's esteemed literature award due to the use of artificial intelligence in creating their cover art.
The author's story compilation "Obligate Carnivore" and the writer's short novel collection "Angel Train" were submitted for the Ockham 2026 book awards and its NZ$65,000 novel prize in October, but were disqualified the following thirty days due to recently introduced rules regarding artificial intelligence use.
The publishing house of the two books, the publisher, stated that the awards organizers updated the guidelines in August, by which time the covers for every submitted title would have previously been completed.
“Consequently, it was much too late for publishers to incorporate this new rule into their design plans,” the publisher said.
Johnson voiced sympathy for the prize organizers, stating she shares deep concerns about AI in artistic fields, but was disappointed by the ruling.
“It would be untrue to claim I am not upset by this,” she commented. “It’s my 22nd book, and it is my fourth collection of short stories. These stories … were written over a sort of 20 year period, so for me, it’s quite an important book.”
She added that writers typically have minimal involvement in cover design and was unaware artificial intelligence had been employed for her book cover, which displays a feline with human-like teeth.
“I just thought it was a photograph of a real cat and the teeth had been superimposed, but apparently it wasn’t,” Johnson said, noting that unlike more tech-savvy generations, she struggles to identify computer-created images.
Johnson worried that the public might think she employed AI to write her work, which she categorically denied.
“Instead of talking about my book … and what the inspiration was, we are talking about bloody AI, which I hate.”
In a statement, Elizabeth Smither said that the designers spent hours creating her book's cover, which features a steam train and an celestial figure “half-obscured in the smoke”, inspired by painter the artist's figures.
“It is them I am most concerned about: that their meticulous work … is being disrespected,” she stated.
The trust chair, head of the book awards trust that administers the Ockham awards, affirmed the organization takes a strong position on the use of AI in publications.”
“We do not make such a decision lightly, one that bars the newest works by two of New Zealand's most respected authors from the 2026 prize,” she said.
“Nevertheless, the rules apply equally to every participant, no matter their standing, and must be enforced uniformly.”
The decision to amend the artificial intelligence criteria was motivated by a aim to protect the creative and intellectual property interests of the nation's authors and illustrators, she added.
“As AI evolves, there may well be a need for the trust to revisit and develop the criteria further.”
Wilson noted that publishers and writers often use software like Grammarly and image editors, which incorporate AI, and this situation underscored the pressing need for well-defined policies.
“Our industry must collaborate to prevent a recurrence of this scenario.”
Both Elizabeth Smither and Johnson have in the past been jurors for categories of the Ockham awards, and both emphasized that cover designs get minimal consideration during judging.
“The text itself and its detailed analysis were all that mattered,” the author said.
The application of AI in creative sectors has faced growing examination as the technology advances, with some groups developing methods to counter its impact.
Tech entrepreneur and startup advisor with a passion for mentoring new founders and sharing practical business strategies.